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By the time they were ready to roll, Dalton was out and Pierce Brosnan was finally free to take the role as originally intended.
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In addition to sporting the franchise’s most suggestive title, this film is also infamous for a sequence in which Bond has to disguise himself as a clown to intercept a bomb at a circus.Īfter License to Kill, EON took six years to get the next movie off the ground, as well as sort out some brand new legal problems. Octopussy kicks off with the death of 009 before turning into a story about stolen treasure involving a beautiful jewel smuggler (Adams) and a villainous prince ( Louis Jourdan). (The rights to the Blofeld character were wrapped up in a legal dispute at the time, hence this impressively petty display.)īond’s fellow Double-O agents regularly appear or are referenced throughout the franchise. For Your Eyes Only stands above the rest with a frantic chase on a biathlon course and some ice-hockey action to boot! Meanwhile, an unnamed villain clearly intended to be Blofeld is unceremoniously killed by Bond in a humiliating fashion during the pre-title sequence. The Man with the Golden Gun also features Maud Adams as love interest Andrea Anders Adams would go on to appear as different characters in two more Bond films starring Moore, including playing the title role in Octopussy.īond movies love winter sporting events – skiing, bobsledding, and snowboarding are all fair game in these things. This film also features one of the franchise’s most popular theme songs (“Live and Let Die” by Paul McCartney) and the voodoo occultist Baron Samedi ( Geoffrey Holder), one of Bond’s most iconic adversaries.īond tries to track down a secret device that can weaponize solar power while avoiding a megalomaniacal assassin named Scaramanga ( Christopher Lee) who has a golden bullet with Bond’s name on it.

Live and Let Die finds Bond on an adventure in New Orleans and the Caribbean that was partially inspired by the blaxploitation films that were popular at the time. The Moore Bonds are known for being lighter and more humorous than the previous installments, and they were also quick to jump on current cinematic trends.
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When Connery departed for the second time, EON recast Bond with Roger Moore, the star of the 1960s British spy TV series The Saint. Following Diamonds Are Forever, Connery once again stepped away from playing Bond until. This is yet another movie where Bond faces off against Blofeld, who is now played by Charles Gray and is using plastic surgery to create a bunch of look-alike decoys of himself. Still, this movie offers the first true appearance of his longtime nemesis Ernst Stavro Blofield (played by the great Donald Pleasence), the SPECTRE leader who at this point had only been teased in previous installments.Ĭonnery retired from playing Bond after YOLT, but when George Lazenby, the actor who succeeded him, left after a single film, EON lured Connery back. The lawsuit was settled out of court but will eventually lead to some Bond peculiarities down the road.Ī lot of things from the Connery Bonds have not aged so well, including the rampant misogyny, but Bond disguising himself as a Japanese man in You Only Live Twice might have aged the worst. These cuts persist in all worldwide versions of the film.Connery’s Bond squares off against SPECTRE again, but this film is almost better known for being the focus of a messy legal dispute between Bond-film producer EON Productions, Fleming and a screenwriter Fleming had previously worked with named Kevin McClory.

The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head. The suicide now takes place off-screen and with reduced detail.The uncut version showed this all from the front, including the aftermath. The eye gouging now only shows an establishing shot of the thumbs being inserted, then cuts to a counter-shot from behind the victim's head when the slightly bloody thumbs emerge.

Reductions to "strong bloody (injury) detail" were made in the following two scenes: These were made prior to formal submission and it was duly passed at 12A with no further changes. The BBFC informed the filmmakers that cuts would be required in two scenes before a 12A rating, instead of an uncut 15, could be obtained. In August 2015, Columbia submitted the film to the BBFC in the UK for advice on whether the film would receive a 12A rating upon a formal submission.
